Sony sound forge pro 101/29/2024 Results in pristine audio with less aliasing, and better sounding end results. IZotope MBIT+ was specifically designed for musical program material - all of the models use real music and not test tones resulting in an improved sound and smoother fades. Includes industry-leading iZotope™ MBIT+™ Dither (bit-depth conversion) and 64-Bit SRC™ (sample rate conversion) for the highest in audio quality. Sound Forge Pro 10 supports full resolution 24-bit and 32-bit/64-bit float 192 kHz files for the ultimate in audio fidelity.Ĭapture the subtle overtones and nuances of instruments, vocals, and effect changes. Provides an easier way to edit edges and fades and is ideal for more precise audio mastering, assembling sketches of a project, or to lay out tracks for authoring disc-at-once CDs.Įasily edit file metadata with metadata windows, increasing efficiency. Perform precise event editing and create fades, crossfades, and mix audio with ease.Įvent-based editing provides greater flexibility and increases editing speed and accuracy, and more control over audio to accurately move, split, slip and trim events. Edit mono, stereo, and multichannel audio files (up to 32 channels) down to the sample level. Sound Forge Pro 10 supports native multichannel audio. The new event-based editing tool that offers more precision when working with audio files. Sound Forge™ Pro 10 software includes professional editing tools and workflow enhancements for the demanding audio professional. Includes Noise Reduction™ 2, plus the Mastering Effects Bundle 2 powered by iZotope™. With new precise event-based editing, integrated disc-at-once CD burning, professional noise-reduction tools, and pristine audio time stretching, Sound Forge Pro 10 delivers the ultimate all-in-one production suite for professional audio recording and mastering, sound design, audio restoration, and Red Book CD creation. Whether in the studio or the field, it is an essential tool for media professionals who need to create and edit audio files with speed and accuracy. Sound Forge™ Pro 10 efficiently and reliably provides audio editors and producers complete control over all aspects of audio editing and mastering. In that context and at that price, Sound Forge Audio Studio makes a lot of sense.The official marketing text of Sony Sound Forge Pro 10 as supplied by the manufacturer If you’re also shopping for some video-editing software, consider Vegas Movie Studio HD Platinum 10 Production Suite, which bundles the consumer versions of Vegas and Sound Forge and costs £69 from Amazon. Expect the price to fall when boxed copies arrive the UK, though. We don’t expect the same quality of effects as offered in Sound Forge Pro, but something approaching it would be welcome.Īt £45, it’s a tad expensive for what is ultimately a supporting application, and a pared down one at that (the full-fat Sound Forge Pro 10 is much more powerful but costs £309 ex VAT). Other frustrations are the inability to chain effects and the lack of high quality mastering effects for sprucing up finished mixes – a task the software is otherwise perfect for. It seems daft having to import a file into Vegas or Acid in order to change the pitch or tempo, and then export it back out again, but the difference in quality means it’s an inconvenience worth bearing. Sound Forge Pro 10’s improved time-stretch and pitch-shift algorithm, Elastique Pro, hasn’t made it over to this cut-price version, even though it is included in the consumer-oriented Studio versions of Vegas and Acid. It’s prone to digital distortion, and the linear rather than logarithmic frequency control makes it difficult to fine-tune settings. This same effect failed to impress us when we met it in Sound Forge Pro 10. The only new feature that’s not a workflow improvement is the Resonant Filter effect. The Vinyl Recording and Restoration Tool sees modest improvements but its ability to clean up recordings remains basic compared to dedicated software such as Magix Audio Cleaning Lab. Most of the other new features are refinements to the interface, such as the ability to dock floating windows and use tabs to jump between them. There’s support for AAC files for both import and export, too. Supported audio resolutions are up from 24-bit, 96kHz to 32-bit, 192kHz. However, because it works directly on files rather than by importing to and exporting from a timeline, we frequently find ourselves calling on its services for various tasks: stereo recording, truncating files, format conversion and sample-level surgical edits are just a few examples.
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